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ARTICLE II SHAKE - SHAKE video

VIDEOART

amae

Lacrimosa No. 6, 2005, 3'36''

A video based on the idea of \u200b\u200bliving in the most superficial religiosity. If tears of blood a Virgin di gesso vengono interpretate quale monito divino, si può pensare ugualmente di una madonna che rigetti il make up dai pori della propria pelle? IL miracolo ammicca esteticamente alla grafica dei prodotti per il trucco sulle note del Lacrimosa di Mozart, il cui testo è tradotto in Francese. All’originale sono state sostituite due parole: fondotinta anziché lacrime ed eterno make up invece che eterno riposo.


AMAE

SA.LO.ME. 166.17.69.33 , 2002, 12’’
Salomè intesa as any man that sets up the classic in a distorted manner. A possible answer to the question: what becomes of Wilde's Salome placed on supermarket shelves? A teleshopping on which slogans instead of flows 18 poems, each with a fake phone number. Behind the writing, a man prepares to be Salome, by moving in a microcosm of media bombardment. The relationship with the other is consumed in a room, trying to emerge from a world imposed.


amae

Constructing Berenice , 2008, 3'50''

The structure of video grows in steps of make up, sort of like a puzzle whose pieces are the grooming of the game, the choice of the registration and a backstage makeup that makes the abnormal performance action. It is not simple makeup, makeup is infused with all the poetry of the artists who make a second skin to play with appearances by splitting reality and fiction. In this puzzle, which takes the form of a ritual, the main character runs the risk of being imprisoned and we take another look when the camera is about to vanish.

MARIANA Ferratto

Untitled, 2007, 3 '

Courtesy The Gallery Apart

The artist tries to put on a green dress that looks smaller than its size. After several attempts, manages to wear it and decided to place it with folded arms looking up at the public

slowly appear on the wall, like ghosts, characters of old photos, including one woman with the same dress and pose in his own, whose face is superimposed on that of the artist, until it disappears. And 'his mother.

The work reflects on the mother-daughter relationship and a game of self-assertion, which is evidenced by the pose that as a joke Asuma the artist imitating his mother.

MARIANA Ferratto

Portrait, 2006, 6 '28''

Made in collaboration with Massimo Troncanetti

Courtesy The Gallery Apart

A fixed camera shot from the artist's hands that attempt after attempt, tries to write his name and surname. Through hesitation or second thoughts, the continuing search for perfection, using a line, a protractor and font as a template. Came to an uncertain outcome: a strange balance of more graphs and more signs, however, became his signature and the signature of the video.

MARIANA Ferratto

Esperaesperanza , 2004, 6 '

Made in collaboration with Massimo Troncanetti

The Courtesy Gallery Apart

E 'primarily a work on the body and on the' waiting lived in all its forms. Set in a corner between the real and the surreal, the wait-hope the main character is enhanced by gestures and by the proliferation of arms and legs crossed that end up submerging the body, forcing him to further immobility and an attitude of closure.

MARCO MORANDI

Opus 23, 2007, 3 '34 "
Music by Dustin O' Halloran.

The piano is a treasure trove of heart made of notes, gathered by mermaids under the sea, when wingless, cadutovi, a pianist paper feared that it could not play anymore. There is no more distinction between vidoearte and video clips, artists and musicians work together and the marriage of music and images in stop motion is charming and full of poetry.
(Emanuela De Notariis)


MARCO MORANDI

Good night, 2008, 3 '33 "

A butterfly flying in wars and battles of everyday life, all to survive, it is poetry of pain and fragility, of cyclical regeneration hopes. The world is then wonder, atrocities presented with a moving light

(Emanuela De Notariis)



MARCO MORANDI

A secret message to you , 2006, 4 '55 "

of Dreams Solitude misunderstood forces the children to put the desires in punishment, behind the blackboard! In two, like two eyes, like two wings, you can fly the dragonfly. No more, then, may impose donkey ears.

(Emanuela De Notariis)

Cosimo Terlizzi

Queen Irena Radmanovic , 2008, 1 '
Production: Cosimo Terliizi, Galleria Civica d'Arte Contemporanea Monfalcone, Drodesera Fies.

With small gestures sensual, Irena spread his royal and saintly image by using an aesthetic packaging.


COSIMO TERLIZZI

I fratelli Fava , 2007, 5’

Produzione: Cosimo Terlizzi, Christian Rainer

L’ opera interpreta l’essere al mondo dei fratelli Fava. Indaga l’essenza più profonda e visionaria della gemellarità, attraverso un continuo confronto e scontro delle due figure. I fratelli sono diversi eppure sembrano la stessa persona.

This video is inspired by the song "Jogleur" by Christian Rainer.

Virgilio Villoresi

J , 2008, 4 '

in white and black in the conflict, a guy in between meat and paper, between the game and the violence of its double creates and deletes them, eliminate it, destroy it. White and black are divided up to the tragedy and languages \u200b\u200bmix, interchange, creating surreal and evocative effects.

(Emanuela De Notariis)

Virgilio Villoresi

Breathes the best , 2007, 2 '
Videoclip for Populous.

The lightness of a collage child, school books, boxes of toys, meets violence the bad side of progress, which eats into children perverse mechanisms, reshape identities. The artist's mastery in the use of collage and stop motion music and the set of images, creating a nightmare for adult children, a dirty dream of reality.

(Emanuela De Notariis)


Virgilio Villoresi

Frigidaire , 2006, 5'45
Vivì Made in collaboration with Bridges.

Onirico video collage that says, like a nightmare that takes us under the helmet of the 60 hairdressers, fashion and approval of the power of education to a certain "respectable young ladies." Faceless girls and poodles slain by mothers model to make handbags, the people are frozen in the house of dolls in elegant bedroom as a child.

(Emanuela De Notariis)


Virgilio Villoresi

Real Mes s , 2007, 3 '
Videoclip for Hot Gossip.

As in his other video clip is the video art. The world becomes a patchwork of patterns on paper, cellulose temptations that move meat puppets, alone and lost in the chaos of the city. 'It's a real mess,' this world.

(Emanuela De Notariis)